Deutschland 83 / Industry + Audience
Production
- Co-production (Two different companies) from different companies
- International Co-Production
- UFA & Sundance TV
International Co-Production
These are increasingly being produced because of:
- Resources like settings and money.
- If two companies come together it means they have more money to spend on shows.
- Companies like Netflix and Amazon are making many TV shows so smaller local companies like Sundance TV & UFA can't compete with Netflix, they don't have that much money but can combine with somebody else to do that.
- International Co-Production = International audience
They did have a german audience but a more significantly larger english speaking audience. There could be some disadvantages such as:
- Overall poor profit at the end.
- Clash of ideologies
We might lose some of this national identity, does it really have that german identity?
Context
UFA:
- UFA is a subsidiary of RTL
- RTL is a large television conglomerate
- they're international
- officially based in Luxemberg
- they work across europe
- one of their main subsidiaries is FreeMantle who have made things such as X Factor, family feud and pop idol
- Existed since 1917
Sundance:
- Subsidiary of AMC
- Who have done things like Mad Men, The Walking Dead, Breaking Bad
- Well Established
Budget:
- Less than Stranger Things
- Berlin: Babylon - Most Expensive German TV show, cost $47 Million which is less than Stranger Thing's S1
- Production Design
- Location
- Actors
- Music Licensing
Distribution
Distributed in Europe by FreeMantle and in America by Kino Lorber and in America it was shown on Sundance TV, in the UK on Channel 4. Channel 4 did not make it, it was just shown on there.
Channel 4 buy the rights to show, they don't make a lot of things they show.
Channel 4:
Launched in 1982, as the fourth TV Channel.
In order to get a license to create this channel they were required and still required to create a public service remit
public service remit - fulfil certain criteria (like how the BBC has inform educate and entertain) with channel 4 they have to:
- Demonstrate innovation in experimenting creativity (original ideas, doing things in a new way)
- Appeal to tastes and interests to culturally diverse society (truly reflect diversity within our country and specifically show representation of minority ethnic group)
- Include an educational nature
- Exhibit a distinctive character (Should be not like other things on TV, distinctive)
Examples:
Hollyoaks
- Demonstrate innovation in experimenting creativity (original ideas, doing things in a new way)
- Experimental Film Language
- Slightly Innovative Experimental things
- Also reflect cultural diversity
The End of The F**cking World
- Demonstrate innovation in experimenting creativity (original ideas, doing things in a new way)
- Exhibit a distincitve character (Should be not like other things on TV, distincitve)
- Experimental & Distincitve - Just from the title
- Made on Channel 4, shown on Channel 4 but then sold to Netflix
Ackley Bridge
- Appeal to tastes and interests to culturally diverse soceity (truly reflect diversity within our country and specifically show representation of minority ethnic group)
- The Diversity; minority ethnic groups but not really doing much of the rest.
Humans
- Appeal to tastes and interests to culturally diverse soceity (truly reflect diversity within our country and specifically show representation of minority ethnic group)
- Distincive Character
D83 Was Launched on Channel 4 in 2016, but on a special platform called Walter Presents Shows
- Created by Walter Lullizino
- Channel 4 funded
- He handpicked foreign language TV shows to put on
- It debuted with Deutschland 83
- Adult Themes
- Algorithm or Human?
- Maybe an Algorithm could be better rather than watching what one man could be watching
- Do these cover Channel 4's PSR? - Not to do with the UK, not really celebrating cultural diversity but we could say that part of the UK could be this. Maybe some distincitve character.
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